![]() In opposition to the cheerful, colourful and folkloric Andalusia described by poets like Reina and Rueda, there are other Modernist authors like Villaespesa, Sánchez Rodríguez, Juan Ramón Jiménez or Darío who refined the literary image of Andalusia from the distinctive notes of sadness or grief, thus initiating a thematic chain which from the twenties extended Lorca’s image of «Andalucía del llanto» under Neopopularism and the Vanguard movement. Only part of the analysis of Poema del cante jondo is published here, but after the in-depth examination of the volume it can be stated that despite the disputability of his theory, the poet could recreate the emotions and thoughtfulness of “deep song”.įrom the so-called «fin de siglo» to the thirties some of the Spanish poets relied on the folk song –and more specifically on the «cante jondo» or flamenco– to define an alleged Andalusian soul. Considering the place of origin of cante jondo Lorca did not state his opinion, therefore, based on some references, I try to clarify if he shared his teacher’s, Manuel de Falla’s opinion, which is different from what experts claim today. The origin of the genre is even more problematic, and, in the absence of written documents, the debate between the representatives of the Andalusian and the gypsy origin is still unclosed. ![]() The first disputed aspect is stylistic categorisation – while the poet makes a distinction between cante jondo and cante flamenco, flamencologists consider cante jondo as a subtype of flamenco. The differences between Lorca’s and later experts’ results are presented from the perspective of modern flamencology. In this extract, I discuss the theory of cante jondo. The aim is to present an objective image of García Lorca, the musician, disregarding his reputation as poet and dramatist. OL24292504W Page_number_confidence 97.81 Pages 230 Partner Innodata Pdf_module_version 0.0.10 Ppi 300 Rcs_key 24143 Republisher_date 20210108161743 Republisher_operator Republisher_time 161 Scandate 20210106040039 Scanner Scanningcenter cebu Scribe3_search_catalog isbn Scribe3_search_id 9788420633855 Tts_version 4.The topic of my essay is the musical work of Federico García Lorca and the effect of music on poetry. Urn:oclc:record:1256521092 Foldoutcount 0 Identifier poemadelcantejon0000garc_n1u1 Identifier-ark ark:/13960/t1zd7w390 Invoice 1652 Isbn 8420633852ĩ788420633855 Ocr tesseract 4.1.1 Ocr_detected_lang es Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.9417 Ocr_module_version 0.0.10 Ocr_parameters -l spa Old_pallet IA-NS-2000177 Openlibrary_edition Access-restricted-item true Addeddate 11:04:16 Associated-names Falla, Manuel de, 1876-1946 Hernández, Mario, 1945- Boxid IA40028712 Camera USB PTP Class Camera Collection_set printdisabled External-identifier ![]()
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